6 March 2012

Professor Laura Marcus on Writing in the Cinema

Please join us for the final Epiphany Term seminar in the series:

Writing in the Cinema
 Professor Laura Marcus
Oxford University


Tuesday, 13th March 2012
4:30 – 6:00 pm
Elvet Riverside, ER149

This talk examines the ways in which the representation of authorship in film bears on the relationship between the visual and the verbal, the image and the word, which has been the ground of longstanding aesthetic debate. It looks at films and texts in which the transition between book and film, word and image, is foregrounded, thematically and through formal strategies. In a significant number of recent films, the writer, and often the screen writer, becomes a central figure, creating or created by his or her verbal/textual imaginings. This bears on the question of the primacy of the word or the image in cinema, and on the relationship between the word and the filmic world. The paper illustrates this discussion with examples from a range of films, including early Dickens' adaptations, Smoke (scripted by Paul Auster), and the recent film Howl.

 Laura Marcus is Goldsmiths' Professor of English Literature at Oxford and a Fellow of New College. She has published widely in the fields, of auto/biography, modernist literature and culture, and literature and film. Her book publications include Auto/biographical Discourses: Theory, Criticism, Practice; Virginia Woolf: Writers and their Work, The Tenth Muse: Writing about Cinema in the Modernist Period, and, as co-editor, The Cambridge History of Twentieth-Century English Literature.

Forthcoming seminars in the series:

26 April: Dr Peter Howarth (Queen Mary, University of London)        
9 May: Professor Rachel Bowlby (UCL)
23 May: John Clegg (Durham University) and Kaja Marczewska (Durham University)
30 May: Professor Jonathan Hart (Durham University)
6 June: Dr Sarah Wasson (Edinburgh Napier University)

For more information, find us on facebook, follow us on Twitter (@inventionsSem) or check our blog: inventionsofthetext.blogspot.com

No comments: